In this week’s episode of “And Then They Make Out,” Carly McElroy and Sarah Devlin take a different approach, discussing upcoming RomComs, Comamas, and Ronkonkamas (more than just a town in New York) this year. From a film about a 35-year-old flight attendant who is also a spinster, to a food critic who is also a fully functioning alcoholic, to an aspiring singer who is also the ex-girlfriend of Adam Levine, to a movie starring Zac Efron, Miles Teller and Michael B. Jordan and that we can only assume ends in an explosion of pure male charm. All that, plus the reason why we didn’t watch a movie last weekend (hint: the reason starts with “Carly” and ends with “was mauled by a dog.”

In this week’s episode of “And Then They Make Out,” Carly and Sarah discuss the surrealist masterpiece that is Drive Me Crazy, starring Melissa Joan Hart and Adrien Grenier. Among other things discussed in the episode: is this a brilliant critique of the prototypical 90s teen comedy, or a vehicle built entirely around promoting an early Britney Spears single, or both? This week sharp-eared listeners can look forward to much name-dropping of extreeeemely timely pop culture phenomena: among them, The Donnas, YM Magazine, 7th Heaven, inflatable furniture, mochachinos and Céline Dion. Also, as is becoming tradition, Carly sings. Tune in for all of this as well as the revelation of which “And Then They Make Out” host used to own a beeper.

Last week we bought you the first episode of “The Broad Experience,” a podcast dedicated to hashing out the issues facing working women today. Episode two is about “men and equality, women and leadership,” and focuses on the way that men with more equitable relationships actually benefit from better love lives (who would’ve thunk?) and the qualities that make for excellent women leaders.

On this week’s episode of “And Then They Make Out,” Carly McElroy and Sarah Devlin switch up the format for a (not so) mini-sode called “I’m Going To Stop You Right There.” Carly selflessly watched this week’s film, What To Expect When You’re Expecting, while Sarah got to remain blissfully ignorant up until the moment she and Carly had to start talking about push presents.

We at The Jane Dough are no strangers to podcasts, and we think they are kind of the best (especially since they’re the perfect accompaniment to your workday or commute). The Broad Experience, created by Ashley Milne-Tyte, is a podcast that takes on common patterns, problems and challenges faced by working women.

In this week’s episode of “And Then They Make Out,” Sarah Devlin and Carly McElroy are joined by both Ellen Claycomb and Joe Ferris for a rowdy, unruly discussion of the Farrelly brothers comedy “Fever Pitch.” This podcast comes with a drinking game, if you’re so inclined. Check it out.

In this week’s episode of “And Then They Make Out,” Carly McElroy and Sarah Devlin are joined by special guest Ellen Claycomb, who suggested that they watch The Switch, starring Jason Bateman and Jennifer Aniston. Tune in to learn more about which of the three of them has major pilates baggage that was unearthed during the viewing of the film, what they would do if they were accidentally artificially inseminated by the wrong person, and who hates the “Happy Birthday” song.

…Featuring two of the worst people in the world.

This week, Sarah Devlin and Carly McElroy discuss a VERY early-2000s offering, Kate and Leopold, starring Meg Ryan and Hugh Jackman (with some Liev Schreiber, Bradley Whitford and Breckin Meyer for garnish). This movie about a time-traveling duke and a modern career lady falling in love might sound a little silly, but they’re not afraid to ponder the big questions, like the ripped-from-actual-history subplot of Leopold inventing the elevator, whether or not OKCupid could benefit from a dose of chivalry/the requirement of handwritten letters, and where a violinist at a romantic rooftop dinner falls along the “private concert” vs. “private serenade” continuum.

In episode 8, Sarah Devlin and Carly McElroy discuss the Citizen Kane of their generation, the movie responsible for a thousand adolescent fantasies about moving to New York to become…some sort of dancer.